31 Jan 2019神無月
Carrying around the mirrorless X-A1 of FUJI! The second is Schneider’s Xenon 50mm in Shibuya
Xenon 50mm which thinks that it is compatible with digital. I tried to carry it for a while, partly because I took it out in a previous article.
– Anyway, carry around with X-A1 and Xenon
Anyway, carry around with X-A1 and Xenon
I like the coloring when there is sunshine.
A gentle oil painting impression.
If it is a shade, it may be pretty weak
This feels good with this, but you may want to shoot in the sun at the right angle.
Even if it is a room light, it seems that if the outside light reaches it, the contrast will come and colors will come out.
I took a walk around Bunkamura in the morning.
At 109 from Bunkamura.
I feel that the view of the distant view has changed quite someday.
Recently, the landscape of Tokyo that has been painted has come to be considered a culture.
Go to Maruyama Town.
The buildings under construction come into view in there.
By the way, Maruyamacho hotel town in the morning was unexpectedly beautiful and quiet.
I was prepared for a little more chaos.
Oh! Beautiful blur contrast.
It is shade, but the color is good.
It will be a material that is easy to take in light.
On the contrary, it is a difficult subject to capture light.
But this is my favorite feeling.
As a lens manufactured in about 1968, it seems that only a ghost appears in the heart.
What is this statue? No information was found in the search.
I think it probably has something to do with the Seibu department store.
It is not very Xenon like, but it is a favorite shot.
Comparison of taking a latte with Helios and Xenon.
It is the same item, but since it is another day, the color of espresso is different.
Helios 44-2 58mm
Helios is better close.
Helios is 58 mm, so 8 mm x 1.5 times (APS-C size) = 12 mm.
To Hikarie on another day.
The passage is almost connected from the ticket gate, and I can see that the Ginza line runs along the side.
Flag of SHIBUYA VIVID.
It was a shade, but I guess it’s in good color.
I like the contrast of the new and old buildings with the newly created building STREAM.
The riverside here is a bit interesting as I see everyday life that I used to hide before.
When I walked along the river, I found an unfamiliar building called “SHIBUYA BRIDGE”.
Bullish guide with English only.
Sideways, along some buildings, it seems that the buildings continue to break into the direction of Daikanyama.
A well-maintained plum is in front of a small botanical garden.
I want you to get warm quickly.
Winter is hard to walk around town.
It is a good description when the sun is coming.
When I started climbing the hill from Namikibashi to the Aoyama area, I thought there was a large torii gate and there was a shrine in the back.
I knew the existence of the shrine, but I did not know this Torii.
I was attracted to the pot-cooked rice in front of the Jinno Shrine and decided to have a lunch.
The meat and potatoes were delicious.
I feel that the rice cooked with clay pot is very soft.
I felt so-called pounding in the feeling that one grain was separated beautifully.
Shrine just seen from the seat.
And when I came to the vicinity of Kongo Shrine, I found a torii to be photographed.
The day is just right.
It is mixed with halation and has a nice color of Xenon.
The wind was getting cold so I decided to finish it around here.
Schneider Kreuznach / Xenon 50mm F1.9 M42 1966
Xenon 50mm, one of the relatively expensive items in my old lenses.
An intermediate-grade lens that allows you to enjoy Schneider’s sense of stability and a strong depiction.
I think that the lens review article can see the post of the early days.
More from my site