Wabi Sabi Tokyo with Old Lenses. Hidekatsu Street Photo

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Portrait Old lens memorandum Film camera

A dry image of the silver lens barrel, Industar-50 50 mm F3.5

eBay market wonderful I feel that it is around 2 to 3,000 yen, because there are so many, I do [ – ]

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Hidekatsu Nakayama

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Portrait Old lens memorandum

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Lens and manufacturer introduction The history of Voigtlander is quite old, started as a manufacturer of optical instruments from the [ – ]

Can sharpness and ultra-wide-angle lens be used in city photography? Voigtlander SUPER WIDE – HELIAR 15mm F4.5.

I tried the 2nd time by stopping the taste by walking underground from the front of Nijirihashi to Otemachi. This [ – ]

Tokyo underground city in Shinjuku vol.1, Voigtlander SUPER WIDE-HELIAR III 15mm F4.5.

Lens and manufacturer introduction Long-established lens manufacturer Schneider Kreuznach. In the 1930s this time the lens was also supplied to [ – ]

Gentle paintings, expressiveness and thick colors, Schneider Xenon 50mm F1.9 1966.*

I remembered when I saw the station “Mitsukoshimae” on the way to Kiyosumi Shirakawa last time. When I was young, [ – ]

I couldn’t see the shooting point of bubble blur, anyway I walked in Mitsukoshimae with Trioplan 50mm.

Leica is just amazing. It was a shooting that did a wonderful depiction as I thought it was rather sweet.

Leica Summilux 50mm, SONY a7R

Sonnar has already gotten results at the portrait, but in the street shooting it was somewhat difficult to bring it [ – ]

Carl Zeiss Jena / Sonnar 135mm F3.5, a name that remains beyond the era “Sonnar” in Shimokitazawa

The Trioplan 50mm became my favorite lens at once because it showed a wonderful portrait in a portrait a while [ – ]

Trioplan 50mm, not just bubble blur! the dark part is nice, in Chitose Karasuyama

Compared to other Russian old lenses such as Helios and Jupiter, it sharply sharpens, and it gets close to 30 [ – ]

Industar-61 L/Z 50mm F2.8 of Star blur – Repaired lenses test shoots –

Russian lens Mir-1 that appeared after a long time, I made a comparative article with a digital camera camera and [ – ]

Mirrorless Single-Eye FUJFILM X-A1 and Film Camera Praktica KW with Old Lens Mir-1!

オールドレンズを試してみたくても、マウントのところでつまずいて躊躇してしまう人は多いんじゃないかと。自分も最初はショップに直接聞いたり、webを調べまくったりと、買ったレンズが本当に使えるのか届くまで不安な日々を過ごしたこともあります。そこで自分がオールドレンズ始めた頃を思い出しながら、なるべく専門用語を使わないような説明を書いてみることにしました。プロローグ 50、60年前の品がざらなオールドレンズですので、多少規格に合致しないものや邪魔をする出っ張りなどがあったりしてたまに使えないこともありますが、この辺はもう買ってみないとわからないぐらいの範囲でもあり、なるべく情報を集めて対処するしかない部分です。 SONY α7にM42マウントのHelios 44-2 とはいえ有名どころのレンズは、汎用性のあることが人気の要因とも思えるので、webでの情報も多く比較的失敗は少ないかと思います。そのwebで検索する際の予備知識として本編を読んでもらえたらと思います。目次・アジェンダ ↓ マウントの主な２つの役目 ↓ カメラ側のマウントの種類 ↓ レンズ側のマウントの種類 ↓ ではどのマウントを買えばいいかマウントアダプターの主な２つの役目 [ – ]