16 Feb 2017神無月

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*

It is about three years ago, but it is a photograph which time has long passed thought to write someday.
It is a photograph that was able to take a situation with good compatibility with the lens, and it was Yoyogi Park of dawn that I wanted to record in the record.

Lens and manufacturer introduction

Carl zeiss, a long-established maker currently developing a number of lens brands as a major lens manufacturer, including famous old lenses Biotar, Sonnar, Flektogon.

This time Carl Zeiss’s current nameplate Distagon T * 35 mm F1.4 ZE.

· Manual operation
· It is much higher than affordable single focal point
· Shoot well for the price!
· Entrance of superior class whose price jumps up

It is a lens that I think as one point of arrival as a large diameter single focal point for reasons to say.

As a matter of course you can see it well enough, what on earth should I take with this delicate description?
It is a posting of a shoot that I thought was one of the answers with a lens that suffered for a while.

Walking around where

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*

It is a quite cold morning at the end of the year, rain until the night the other day.
I got up at work until the morning, but it was a good weather.

In the memory of the feeling when I lived in the local countryside, this feeling would be a “slightly fantastic morning” that moisture in the soil evaporates with a good feeling along with the morning sun? I thought that I had no choice but to go for taking a picture.

Another semi-wide angle Carl Zeiss Distagon 35 mm which was not found was found, without going to bed to Yoyogi Park.

It was around 6:30 that I went out and it was extremely cold.
It’s great to be cold, but as I started taking pictures, I felt like I could understand the lens at last, I was able to shoot a fun frame search.

Today’s agenda

· Exploring depictions that can be expressed with 35 mm

Setting of time series photos and diaphragm etc

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
Is it a bit cloudy where it is not good?
I also thought, is the fog as imagined? haze? It was.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
The opening picture is about F2.0 to F4, it feels like I was shooting while searching for a place where the balance with mist is just right.
With 5D mark III, ISO is fixed at 100. The shutter speed is around 1/100 to 200, taking pictures with aperture priority.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
The uncle of the park was cleaning from this time.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
Incidentally, this situation is still outside the place where the morning sun hits.
Just looking at the stump frost seems to hurt your fingertips.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
I tried to stop by a stump.
The aperture is F 2.0. I wanted to blur around the root so I opened the iris a little.
However, since these short distance photographs have been taken many times so far, I took a few pictures and devoted myself to the scenery.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
The feeling that people have increased from the time around here.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
I feel that there are land patterns or people walking with dogs.
(There are many dog OK cafe in the neighborhood because there are dog runs in Yoyogi Park)

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
From this side the aperture is almost F4.0 fixed.
I felt good just about F 8.0, but I wanted to leave a feeling of misty drift, so I stopped around F 4.0.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
As the sun gets stronger, the shutter speed is rising to nearly 1/500 at a stroke.
But I feel that this cut feeling of shutter speed is fitting in the best condition.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
This rainbow-like ring seems to have occurred because the settings of the aperture and the shutter speed were the same, it was due to the state of the clouds or the sun slightly hanging on the branch.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
As the morning sun rises up to this neighborhood, ghosts have entered, the situation of light has changed, leaving the shape of the sun has become difficult.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
But this neighborhood is not a good balance of light and fog.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
Here, pictures suffering from door paintings.
I like compositions and light, but I care about the building for a while.
It may not be obvious until you can tell it, but once you notice it, I feel like I’ll be there.

Move location

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
I’d like to defuse the light with trees and still take photos.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
The setting was opened around F2.0 and a little, and it changed to the style to take taking the situation around the shutter speed 1/500 as the axis.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
The fog has weakened much, and it feels like a morning good weather in winter.

One reaching point of a large aperture lens. Organically stop the time Carl Zeiss Distagon T * 35 mm F1.4*
This atmosphere is not bad, but I could take pictures of the original image and people came up and ended around here.

Purchase route, reference at purchase

For full-sized single lenses, Distagon and Planar are one point of arrival when moving forward to a single focus lens.
In the above classes, Leica and other items will be much higher, and considering the functional aspect at work, it is reasonable to go to the lens of 200,000 to class of zoom.

In that sense, it can be a nice lens to take anything beautifully, but with a lens that makes me think for the first time what to take.

I recently bought lenses at the second hand of Mapcamera these days.
It is a somewhat high reputation, but I think that the used quality is also high.

I think that I bought a brand new on Amazon.
I see unexpected secondhand inventory when I see it now.
Although it seems that there was not much before.

Then, this lens is big and heavy.
It looks like a zoom lens.
Although the bandageability of carrying is low, the weight and size of the feeling of shit are familiar to the hand and it was easy to take.

About camera

5D marek3
Camera : Canon 5D mark3

The stand is not upright.
I think that I could take more crisply if I stand up.
I just thought that Yoyogi Park did not have permission and the stand was useless. .

Afterword

I think that this lens was compatible with cooking.
I was taking a picture of a culinary system of a certain web media for a while at Distagon 35 mm.

Currently I have let go of this lens, the money changed to an old lens, but in the world where you can get a lens that can take good if you put up the money, think about what the picture should be taken with I think that it was a lens that let me do.

In particular, this time Distagon 35 mm and Planar 100 mm were lenses that made me think a lot about what they really wanted to take as a memorial.